Object details
- Joan Miró
Reference 161-234
A TODA PRUEBA
Etching (1958)
Suite , objects included (74 Objects) : "Untitled" (ref. 161), "Untitled" (ref. 162), "Untitled" (ref. 163), "Untitled" (ref. 164), "Untitled" (ref. 165), "Untitled" (ref. 166), "Untitled" (ref. 167), "Untitled" (ref. 168), "Untitled" (ref. 169), "Untitled" (ref. 170), "Untitled" (ref. 171), "Untitled" (ref. 172), "Untitled" (ref. 173), "Untitled" (ref. 174), "Untitled" (ref. 175), "Untitled" (ref. 176), "Untitled" (ref. 177), "Untitled" (ref. 178), "Untitled" (ref. 179), "Untitled" (ref. 180), "Untitled" (ref. 181), "Untitled" (ref. 182), "Untitled" (ref. 183), "Untitled" (ref. 184), "Untitled" (ref. 185), "Untitled" (ref. 186), "Untitled" (ref. 187), "Untitled" (ref. 188), "Untitled" (ref. 189), "Untitled" (ref. 190), "Untitled" (ref. 191), "Untitled" (ref. 192), "Untitled" (ref. 193), "Untitled" (ref. 194), "Untitled" (ref. 195), "Untitled" (ref. 196), "Untitled" (ref. 197), "Untitled" (ref. 198), "Untitled" (ref. 199), "Untitled" (ref. 200), "Untitled" (ref. 201), "Untitled" (ref. 202), "Untitled" (ref. 203), "Untitled" (ref. 204), "Untitled" (ref. 205), "Untitled" (ref. 206), "Untitled" (ref. 207), "Untitled" (ref. 208), "Untitled" (ref. 209), "Untitled" (ref. 210), "Untitled" (ref. 211), "Untitled" (ref. 212), "Untitled" (ref. 213), "Untitled" (ref. 214), "Untitled" (ref. 215), "Untitled" (ref. 216), "Untitled" (ref. 217), "Untitled" (ref. 218), "Untitled" (ref. 219), "Untitled" (ref. 220), "Untitled" (ref. 221), "Untitled" (ref. 222), "Untitled" (ref. 223), "Untitled" (ref. 224), "Untitled" (ref. 225), "Untitled" (ref. 226), "Untitled" (ref. 227), "Untitled" (ref. 228), "Untitled" (ref. 229), "Untitled" (ref. 230), "Untitled" (ref. 231), "Untitled" (ref. 232), "Untitled" (ref. 233), "Untitled" (ref. 234)
80 woodcuts in colors
Attributes: Numbered
Dimensions:
32,5 x 25 cm (Height x Width)
Editions:- A : 6 proofs (1-6)
Paper: Arches
Attributes: Signed "por el ilustrador"
Notes:
Copies on Arches vellum paper showing the colour breakdown of one of the engravings, printed in black and enhanced with gouache, and one of the woodcuts used to print the book, as well as a series on China paper and a series on pearlescent Japanese paper featuring 80 of the engravings. - B : 20 proofs (7-26)
Paper: Arches
Attributes: Signed "por el ilustrador"
Notes:
Prints on Arches vellum paper, featuring an element from one of the engravings printed in black and highlighted with gouache, as well as a series of the 80 engravings on China paper or pearlescent Japanese paper. - C : 80 proofs (27-106)
Paper: Arches
Attributes: Signed "por el ilustrador"
Notes:
Copies on Arches vellum paper. - D : H.C., 24 proofs (I-XXIV)
Notes:
Copies reserved for contributors.
Other Titles:
"A toute épreuve" (French, translated)
Agents:
Editor: Gérald Cramer
Printer: Atelier Lacourière
Notes:
Paul Éluard. A 104-page volume containing 80 woodcuts. Typesetting by Fequet-Baudier. For the illustrations, 233 woodcuts were engraved by Joan Miró with the technical assistance of Enric Tormo, and were subsequently inked and hand-printed by Jacques Frélaut and Jaime Herrera.
Data extracted from the catalogue raisonne :
Joan Miro: Grabador Volumen I: 1928-1960, Edicions Polígrafa SA (ed.), Jacques Dupin, (1987). in Barcelona (Spain)
© Joan Miró / VEGAP - VISUAL ENTIDAD DE GESTION DE ARTISTAS PLASTICOS
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Contact the artist !
✉ email through open.cr
- A : 6 proofs (1-6)